从春风唤醒生命的感触中,忽然想起了贺知章的名句:“不知细叶谁裁出,二月春风似剪刀。”可再一琢磨,诗里春风固然灵巧,用词确有新奇绝妙处,但总不免失之于锋芒过露。而自己眼见的一切,或许更近于“随风潜入夜,润物细无声”的意味。这风似乎不像剪刀,没那么利落、分明的姿态,倒更像是气是水,是弥漫的、渗透的、无处不在的柔情。它不张扬自己的到来,只是默默地让柳丝自己去绿,让草芽自己去长,让蛰虫自己去醒。像个高明的导演,自己隐在幕后,只让万物去演绎生命的繁华。
For example, some of my own guilty displeasures are opera, old movies, and poetry. I don’t hate any of those, but I like them far less than I want to admit when I’m not writing a blog post about guilty displeasures. I have been to operas, including the full cycle of Wagner’s Nibelungen. I have friends who have made me watch black and white movies from the Hollywood golden age. I used to write poems as a teenager, like all sensitive and nerdy young men. But quite frankly, I don’t feel that I need any of those things in my life. When my friend who conducts operas at the university invites me to one, I patiently wait for the singers to quit singing so I can properly enjoy the instrumental parts of the music. When I must watch old movies, I spend 25% of the time reading the Wikipedia summary to keep myself entertained. When I read a book or blog post that quotes something in verse, I literally just skip it and hope it wasn’t important to understand the rest.
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